ViewersFriday, August 19th 2011
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Marilyn Monroe and Clark Gable at the production party for The Misfits, October 17, 1960
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“To call Chloe elusive is an understatement: contacting her is a matter of triangulation—calling friends, calling her parents, calling Liquid Sky, the boutique where she’s been working for the past year. When an appointment is made, it’s not always kept, particularly if it’s before afternoon. And when you find Chloe—when she’s right there, sitting across the table from you at Jerry’s or Odessa, in a tight black sweater she bought in Darien for three dollars embroidered with French expressions like “Affaire de Coeur” and “Cherchez la Femme”—you may find yourself still looking for her, looking for something more. It’s a neat trick to be able to suggest hidden reserves—to be a tabula rasa and seem to be the Dead Sea Scrolls—and Chloe’s friends all eventually allude to this sense that she is holding back. “She just sits there,” says her friend, Rita Ackerman, a Budapest-born artist, “but she controls the whole scene. That’s her charisma.”From “Chloe’s Scene,” Jay McInerney’s 1994 profile of the then nineteen-year-old Sevigny
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Leonard Cohen - Waiting for the Miracle
I dreamed about you, baby
It was just the other night
Most of you was naked
Ah but some of you was light
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