Wednesday, May 22nd 2013

373
Source: suicideblonde

Thursday, May 16th 2013

3683
Source: sfranciscolover

Friday, April 5th 2013

One of the strengths of Coppola’s screenplay is that her people and everything they do are believable. Unlike the characters in most movies, they don’t quickly sense they belong together, and they don’t immediately want to be together. Coppola keeps them apart for a noticeably long time. They don’t know they’re the Girl and the Boy. They don’t have a Meet Cute. We grow to know them separately. 
- Roger Ebert on Lost In Translation

One of the strengths of Coppola’s screenplay is that her people and everything they do are believable. Unlike the characters in most movies, they don’t quickly sense they belong together, and they don’t immediately want to be together. Coppola keeps them apart for a noticeably long time. They don’t know they’re the Girl and the Boy. They don’t have a Meet Cute. We grow to know them separately. 

- Roger Ebert on Lost In Translation

(via suicideblonde)

Tag(s): Lost in Translation Bill Murray Scarlett Johansson Sofia Coppola Roger Ebert

6421
Source: rogerebert.suntimes.com

Thursday, April 4th 2013

So much has been written about those few words at the end that Bob whispers into Charlottes’ ear. We can’t hear them. They seem meaningful for both of them. Coppola said she didn’t know. It wasn’t scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of The Conversation would be proud of it, but it’s entirely irrelevant. Those words weren’t for our ears. Coppola (1) didn’t write the dialog, (2) didn’t intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn’t a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.
- Roger Ebert on Lost In Translation

So much has been written about those few words at the end that Bob whispers into Charlottes’ ear. We can’t hear them. They seem meaningful for both of them. Coppola said she didn’t know. It wasn’t scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of The Conversation would be proud of it, but it’s entirely irrelevant. Those words weren’t for our ears. Coppola (1) didn’t write the dialog, (2) didn’t intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn’t a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.

- Roger Ebert on Lost In Translation

(via suicideblonde)

Tag(s): Lost in Translation Bill Murray Scarlett Johansson Sofia Coppola Roger Ebert

10995
Source: rogerebert.suntimes.com

Thursday, December 27th 2012

5922
Source: thegoodfilms.com

Monday, December 24th 2012

insuhlovesyou:

Scarlett Johansson in Lost In Translation

insuhlovesyou:

Scarlett Johansson in Lost In Translation

(via intweetion)

Tag(s): Scarlett Johansson Lost in Translation Sofia Coppola GIF

20401
Source: spacehags

Thursday, November 15th 2012

1252
Source: bohemea

Sunday, September 2nd 2012

10807
Source: comedownmachines

Friday, June 15th 2012

suicideblonde:

In a Dazed and Confused interview, Sofia Coppola cited the work of artist John Kacere as an influence on the opening shot of Scarlett Johansson in Lost in Translation

suicideblonde:

In a Dazed and Confused interview, Sofia Coppola cited the work of artist John Kacere as an influence on the opening shot of Scarlett Johansson in Lost in Translation

Tag(s): Sofia Coppola Dazed and Confused Scarlett Johansson Lost In Translation John Kacere

3171
Source: suicideblonde

Monday, March 5th 2012

So much has been written about those few words at the end that Bob whispers into Charlottes’ ear. We can’t hear them. They seem meaningful for both of them. Coppola said she didn’t know. It wasn’t scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of The Conversation would be proud of it, but it’s entirely irrelevant. Those words weren’t for our ears. Coppola (1) didn’t write the dialog, (2) didn’t intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn’t a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.
- Roger Ebert on Lost In Translation

So much has been written about those few words at the end that Bob whispers into Charlottes’ ear. We can’t hear them. They seem meaningful for both of them. Coppola said she didn’t know. It wasn’t scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of The Conversation would be proud of it, but it’s entirely irrelevant. Those words weren’t for our ears. Coppola (1) didn’t write the dialog, (2) didn’t intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn’t a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.

- Roger Ebert on Lost In Translation

Tag(s): Lost In Translation Sofia Coppola Roger Ebert

10995
Source: rogerebert.suntimes.com

Sunday, March 4th 2012

One of the strengths of Coppola’s screenplay is that her people and everything they do are believable. Unlike the characters in most movies, they don’t quickly sense they belong together, and they don’t immediately want to be together. Coppola keeps them apart for a noticeably long time. They don’t know they’re the Girl and the Boy. They don’t have a Meet Cute. We grow to know them separately. 
- Roger Ebert on Lost In Translation

One of the strengths of Coppola’s screenplay is that her people and everything they do are believable. Unlike the characters in most movies, they don’t quickly sense they belong together, and they don’t immediately want to be together. Coppola keeps them apart for a noticeably long time. They don’t know they’re the Girl and the Boy. They don’t have a Meet Cute. We grow to know them separately. 

- Roger Ebert on Lost In Translation

Tag(s): Lost In Translation Sofia Coppola Roger Ebert

539
Source: rogerebert.suntimes.com

Friday, February 17th 2012

1194
Source: suicideblonde

Tuesday, September 27th 2011

338
Source: bohemea
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